CREATIVE PROCESS

We started working together in March 2016, taking media manipulation as the starting point. After months of exploration and rehearsals, going deep into this subject, we ended up approaching work from two complementary prisms: on one hand, the theoretical insight based on news, chronicles, essays related to new sociological phenomena, articles and opinions; and on the other hand, the development of scenic-related proposals. From these two places of thought and action, the question raised was to do with personal responsibility and the importance that each of us has when it comes to consuming and creating information. In this line of work we discovered that neurosis and anxiety were common places in rehearsals and improvisation exercises. And that is how, naturally, FOMO (“Fear of missing out”) emerged as the first thematic line that has guided our research through the initial stage of the laboratory. For us, the main point is to strengthen ourselves as a team and find work dynamics amongst the different areas (scenography, technical creation, sound space, video, costumes, interpretation, dance, dramaturgy, direction) that make a real dialogue possible. This involves asking questions together and finding the answers that will allow us to continue our research. Therefore, we are open to find, not only new thematic lines to deepen into, but also new modes of action and production to experiment.